New PDF release: Baroque Fictions: Revisioning the Classical in Marguerite

By Margaret Elizabeth Colvin

ISBN-10: 142379169X

ISBN-13: 9781423791690

ISBN-10: 9042018380

ISBN-13: 9789042018389

This quantity is the 1st in-depth learn of the French novelist Marguerite Yourcenar?Ђ™s fiction to contend that the author?Ђ™s texts express in unforeseen methods a number of features of the neobaroque. This subversive, postmodern aesthetic privileges extravagant inventive play, flux, and heterogeneity. In demonstrating the affinity of Yourcenar?Ђ™s texts with the neobaroque, the writer of this examine casts doubt on their presumed transparency and balance, characteristics linked to the French neoclassical culture of the earlier century, the place the Yourcenarian ?“uvre is usually positioned. Yourcenar?Ђ™s election to the celebrated, tradition-bound French Academy in 1981 as its first girl ?Ђњimmortal?Ђќ cemented her already well-established area of interest within the twentieth-century French literary pantheon. A self-taught classicist, historian, and modern day French moralist, Yourcenar has been praised for her polished, ?Ђњclassical?Ђќ kind and analyzed for her use of fantasy and common subject matters. whereas these components before everything appear to justify amply the neoclassical label wherein Yourcenar is most generally famous, this study?Ђ™s shut examining of 4 of her fictions finds as an alternative the texts?Ђ™ opacity and subversive resistance to closure, their rejection of sturdy interpretations, and their deconstruction of postmodern Grand Narratives. Theirs is a neobaroque ?Ђњlogic,?Ђќ which stresses the absence of theoretical assurances and the constraints of cause. The accident of the recent millennium ?Ђ” which in such a lot of methods displays Yourcenar?Ђ™s disquieting imaginative and prescient ?Ђ” and her centenary in 2003 provides now not quite a bit an excuse to reject the author?Ђ™s neoclassical label, yet particularly the duty to re-examine it in mild of up to date discourses. This research could be of curiosity to scholars of twentieth-century French fiction and comparative literature, specifically that of the latter half the 20 th century. desk OF CONTENTS: I. A Frontispiece II. creation Marguerite Yourcenar and the Writing of Fiction: a cultured valuable III. bankruptcy 1 Anna,Soror...: Neobaroque Sacralizes the Abject IV. bankruptcy 2 Denier du r??ve : Baroque Discourses,Fascist Practices V. bankruptcy three Neobaroque Humanism: ?ЂњSounding the Abyss ?Ђќ in L ?Ђ™?’uvre au Noir VI. bankruptcy four Neobaroque Confessions: Un homme obscur and the Oppressive Superficiality of phrases VII. end An writer for the recent Millennium VIII. chosen Works mentioned and Consulted IX. Index of right Names

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The antithesis between the subversive theme and the polished, “classical” virtuosity of the text may strike readers as intentional, artificial, and exaggerated—in short, as a mannerist exercise. But such intentional paradoxes can also alert us to strategies of exposure and concealment that signal greater complexity of meaning and purpose. ” According to the French psychoanalyst and literary critic Julia Kristeva, the abject consists of what is excluded from the symbolic order, which is the realm of social hierarchy and the unambiguous subject.

The antithesis between the subversive theme and the polished, “classical” virtuosity of the text may strike readers as intentional, artificial, and exaggerated—in short, as a mannerist exercise. But such intentional paradoxes can also alert us to strategies of exposure and concealment that signal greater complexity of meaning and purpose. ” According to the French psychoanalyst and literary critic Julia Kristeva, the abject consists of what is excluded from the symbolic order, which is the realm of social hierarchy and the unambiguous subject.

35 At the beginning of the nineteenth century, when the Romantic Movement served as society’s alienated, ex-centric “other,” classical values began to be conflated, even equated, with politically and socially conservative ideologies associated with the Restoration. Moreover, in 1829 Goethe made explicit the opposition between romanticism and classicism: “I call the Classic the healthy, the __________________ 35 Omar Calabrese, Neobaroque. A Sign of the Times, trans. Charles Lambert (Princeton: Princeton UP, 1992) 184.

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Baroque Fictions: Revisioning the Classical in Marguerite Yourcenar (Faux Titre 271) (Faux Titre) by Margaret Elizabeth Colvin


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